fall porch

No way!  Are you kidding me?!?  It’s already the weekend before the first weekend in November???

Well, that can mean only one thing . . . it’s time to pull-out the Christmas decorations at the shop.  argh!

Please don’t hold it against me.  We’ve got to play by some of the rules set-up by the big guys.  heck, if you gauge me by most of the “big boxers” you will find me lacking.  I’m sorry.  I am doing my best.

So, today it began and I am amazed at how much we were able to get done.

Around the house we are enjoying the warm glow of the fireplaces, but falling behind on the current holiday season, let alone the future ones. 

I finally got the front porch situated, sort of.  I hung a tobacco basket instead of my fall wreath.  I found several at the flea market a few months ago.  The really cool thing is that they were all marked with  Clarksville, TN.   I was already fascinated with the barns all over Tennessee.

I moved the wicker chairs we once used in the kitchen to the porch.  I tried wrapping the legs with sisal rope (the wicker wrapping has come undone); it probably would have worked if I started the process a little differently, but for now, they could stand a little more attention.

 

A few weeks ago, I participated in a wonderful barn sale hosted by Shirley and Knox Thomas.  When I went out to see the barn—prior to the event—I noticed stacks and stacks of tobacco sticks.  (These are the sticks the tobacco is hung from while curing in the smoking barns.)  Shortly after returning to my shop, I messaged Shirley to ask if I could buy a bundle of the sticks from them.  She happily obliged and even delivered them to me!  I’ve decided to display a bunch of them (7) in the rusty milk can on the porch.

 

Note the planter above.  This was an idea Patty found on Pinterest.  We used a vintage floor lamp and a wire hanging basket with a coco liner.  The Pinterest pic had the planter filled with succulents—it was lovely.  Mine is filled with ornamental cabbages and mums.

 

I need to find a better color for the wicker chairs.  I had painted them a greyish-taupe when they were destined for the kitchen.

 

 

Those tall flowers blocking the view of the porch were a mistake, but I cannot get rid of them.  I think if I took the time to cut them back before they develop those white blooms (which blow around like dandelion seed), I think we’d have far fewer, but . . .

 

The others, the peach colored asters at the front should be named Clarksville official flower.  There are actually more of them than the tall white-flowered things (can’t remember their names) in our yard—on Dog Hill—all over Clarksville, for that matter!  They are prolific.

My yard has more color in the fall than the spring.  Is yours like that?  I’d love to hear from you.  Thanks for sticking with me—especially while I’ve been a sporadic blogger.

Thanks for your indulgence,

A Restful Repose

About three months ago, I purchased this nice, but less than perfect oak bed.  Pieces like this are ideal candidates for my paint brush.  I love painted furniture, but I do not paint pieces I feel have value in their original, untouched state.  You see, I have a fear of one watching the PBS show, Antiques Road Show, when the experts are studying a lovely piece of painted furniture and commenting, “If only it hadn’t been painted, this piece would bring $5,000 at auction, but in it’s current painted state, we have to value it at $200.” 

Consequently, I only want to paint pieces which, otherwise, might be over looked.  This bed, for instance, had made it all the way through the Nashville flea market and was still there on Sunday.  The veneer on the headboard was slightly warped and the footboard had been repaired where it connects to one of the rails, but otherwise it was sturdy and had lots of potential.

 

 

(Will I ever remember to take the “before” pictures in a timely manner?)

When I snagged this piece, I knew right away that I wanted to give it a Country French/French Country makeover, so I would be painting it with Old White and Paris Grey Chalk Paint™ . . . or maybe with French Linen and Louis Blue . . . or maybe . . .

Needless to say, the bed waited and waited for me to decide how to paint it.

It moved from the work area to the storage area.Then, during one of my Chalk Paint™ workshops, I had an epiphany!

Back story:  Travis (my workshop assistant extraordinaire) and I are constantly amazed by the way all of the colors of Chalk Paint™ work together. During our workshops we pull-out all 30 colors and use them in various combinations.  In this process, we have yet to place one color next to another and say, “Ooh, yuck!” Usually, it’s more like, “That is amazing—look at how nice that looks together!” (Then we set about looking for a piece to paint in that newly discovered paint combination!)

Okay, so you’ve peaked already and know that I didn’t use Paris Grey or Louis Blue.  No—my epiphany involved Old Violet, so that is what I chose for my base coat.  I then intended to add Paris Grey and Old White.  I knew I would distress it and, more than likely, I’d finish it with dark wax.

 

So there it is, ready for the next step . . .

Here’s where I changed my mind again!

I decided I wanted the overall look to be muted and thought the Paris Grey would be a little crisp looking.  I finally settled on painting the inset panels with French Linen, then topped with Country Grey.  I used a wet cloth to spread and blend the two colors.

I then added a stenciled motif in the center of the headboard using the French Linen again.  I applied it very lightly—wanting it to be very subtle.

 

I then applied the clear wax to the entire piece and commenced to sanding!

 

After reapplying the clear wax, I applied a light coating of dark wax and called it done.

Here’s what it looks like now:

If you take a close look at the footboard, you can see I did a lot of sanding on the inside—where I figured it would naturally have a lot of wear.

The same is true of the headboard—years of propping-up in bed to read, would cause the finish to wear-away. 

And one more photo of this beauty. 

I am very pleased with the results and once again amazed by the way all of these colors work so well together.  In fact, if you’ve used Chalk Paint™ decorative paints, I’d love to hear about your favorite color combinations.

I will be linking to  Vintage Inspired Fridays, I hope you visit and take some time to check-out some of the other links there.

Thanks for your indulgence,

A Vintage Inspired Cupboard

A few days ago I posted about the amazing Country French vignette Patty arranged in my absence.  Today, I want to focus on cupboard that started the whole thing.

A while back, I asked my friend Jeff (the guy that makes all of my custom furniture for the shop) to make this:

I gave him two salvaged windows I had been saving for the right project and, about a month later, he called me to tell me it was ready for pick-up.

Now, I had started this whole process (from inception) last fall. When I picked-up the piece, the backroom at the shop was consumed by Christmas, so we unloaded it at the house, where if stood on our back porch (aka—my creative space) for months, awaiting the verdict of my paint color choice.

 

(Naturally, I failed to take the before shot, so here it is after the painting process had begun.)

When I finally decided on colors, I used my old standby, latex paint.  Shortly thereafter, I purchased my first cans of Chalk Paint™ decorative paints and decided to add a coat of French Linen to the exterior and Provence to the interior.  LOVED!

It then began the s----l----o----w move to the shop. 

It hung-out in our dining room so long I had to fight the urge to start filling with vintage dishes.  It then rolled to the front hall—the casters, at the risk of sounding a little self-inflated, pure genius!   Finally, the stars aligned and my husband and son loaded it for the three-city-blocks trip to the shop.

There, we rolled in in and out of the shop (with the opening and closing) for a few days while I contemplated the white paint of the vintage windows.  It looked too graphic, but I didn’t want to cover it completely.  I decided to use the French Linen Chalk Paint™ to make a wash.

 

I followed with Soft Wax in clear and a little sanding on the entire surface.  I then used the Soft Wax in dark, hitting the new wood (pine) with more, so it looked like a darker wood. 

A final wipe down to remove any excess wax and  I had this . . .

I am very pleased with it.  I love display cabinets, but I often think things look too “off limits” behind glass.  That’s why I added the open display shelf at the top.  I think it looks like a custom made “built in” piece of furniture.  The vintage windows made this piece look old, but the display shelf is the “crowning touch!”  (So punny!)

I hope you enjoyed this vintage inspiration . . . for more, please visit Debra and a couple hundred of her closest friends for:

 

You will be glad you did!

Thanks for your indulgence!

A Country French Vignette

I left for our family vacation on the 29th of June. During the week prior to that Friday, I was running around like the proverbial “chicken without a head” trying to prepare for a week-long absence.

You see, I guess I have a bit of an ego. I like to think Hodgepodge needs me. Upon my return, it was painfully obvious I am superfluous to this operation.

Before I left, I made sure I put the finishing touches on the Chalk Paint™ decorative paint finish I was laboring over for this display case. I then rolled it into place and left notes for Patty to make it look good . . . boy, did she!

Here is the display I found when I walked through the doors Saturday morning . . .

Patty put together a Country French vignette to inspire!   (By the way, is anyone able enlighten me as to why we say “Country French” rather than “French Country?)

From these favorite melamine dinner and sandwich plates, to the soy wax candle, ensconced in a willow holder—the scene oozes French influence.

Our signature mixed-pattern silver plate flatware sets represent the casual elegance you’ll find in countryside of France.

The beverage urn makes it easy to serve your favorite fruit blend beverages. The Moroccan tea glasses, decorated in gold plate represent the “citizen of the world” feel so many Frenchmen/women can claim.

This reproduction ladder shelf represents the French ingenuity for repurposing items into an unexpected use—such as here, when it doubles as a server.

Evidence of my style—our velvet pumpkins can still be found throughout the store. They provide the perfect decorative accent for our transferware dinner plates. Note the bucolic scene as the plate’s décor—a beautiful half-timber home being the focus.

More transferware in brown to contrast the display shelf of our one-of-a-kind piece (a custom design), I’ve painted in Chalk Paint™ in Provence and French Linen. How a propos!

This display of books in a wire basket really caught my eye.

A few items common to a French pantry, a crusty loaf of bread, fresh cream (in the ceramic cow creamer) and eggs from the barn. The covered glass dish is perfect for the cheeses synonymous with the country!

Let’s step back and take another look.

Is your eye drawn to that barley twist lamp? Of course it is! I love the pillar stands constructed from railing balusters. Let’s get a closer look . . .

Oh yeah—still love.

There you have it. Patty is one talented lady and I am redundant.

Here’s hoping this means I can get away for more vacations!

Let me know what you think of the display or if you have any questions.

Thanks for your indulgence!

June Workshops

Annie Sloan Chalk Paint^TM Brand Decorative Paints

Programming note: All classes require advanced registration and a minimum enrollment. Deadlines are three days prior to event.

June 10^th or 20th—Chalk Paint^TM Brand Decorative Paints Basics Workshop

In this workshop, participants will learn everything they need to know to tackle their first or fifth painting project. You will have hands-on experience with three painting techniques. We will go over basic distressing and crackling techniques, as well as wax washing. Participants will learn to properly and effectively apply Clear and Dark Wax. Participants will also paint their own complete palette of Chalk Paint^TM Brand Decorative Paints. This palette will be ideal for determining which colors will work best in your home. Throughout the four-hour workshop, we will regale you with enormous amounts of information about Annie Sloan, her creative process and, of course, Chalk Paint^TM Brand Decorative Paints. $125 June 10 from noon – 4 PM and June 20 from 9 am – 1 pm

June 6^th or 16th—Chalk Paint^TM Brand Decorative Paints Redux Workshop

This workshop will teach participants the three basic techniques and wax application described in the Basic Workshops only. You will have hands-on experience with three painting techniques. We will go over basic distressing and crackling techniques, as well as wax washing. Participants will learn to properly and effectively apply Clear and Dark Wax. (No palette, sorry but this is a budget offering.) Workshops will last approximately 2 hours. $75 June 6^th from 9 – 11 a.m.; June 16^th from 1-3 PM

June 9^th and 16^th—Let’s Get Started

This is for those of you who just want to get started painting your first piece of furniture. Bring your own piece of furniture to our workshop space and we will paint it together. During this workshop, you will have unlimited guidance from your favorite local retail partner, umm . . . that would be me. In addition to the “technical expertise,” I will provide the paint and wax you need to tackle your project. We will work from 8 – 11 each morning. You are responsible for bringing your furniture to the shop. The fee will include up to two Chalk Paint™ colors, wax and other supplies needed (such as brushes and sand paper). We will learn from each other along the way. Join us. $175 June 9 & 16 from 8 – 11 a.m.

June 19^th—Lighten Up, Chalk Paint™ is easy

This is a workshop designed to help you salvage that old lamp you were planning to toss in the trash. Bring your own lamp (or one you pick-up at the flea market) and we will teach you to transform it into a show piece for you home. Three techniques will be offered—you choose your favorite. All supplies needed are provided—except the lamp. $45 begins at 9 a.m.—about 1 ½ - 2 hours (depending on your technique).

June 7 and 21—Wax on, Wax off

And finally . . .for those of you who just want to learn how to apply the wax—let’s face it, you know you’re stressin’ about it—we offer this mini-workshop. Learn how to apply clear and dark wax on a distressed finish in less than an hour. Fee: $20* Drop-in between 10:30 – 11:30 a.m. (does not require registration)

*this fee will be applied as a credit toward any workshop over $100 if you register within one week of your Wax on, Wax off workshop.

Check your calendar—workshops are filling-up!  Call us to register today.  931.647.0444

Thanks for your indulgence,

Yup—You can even paint that!

Argh!  You find a great deal on the table you’ve bee looking for, but—dang it—it has a laminate surface.  Not a problem, just grab your Annie Sloan Chalk Paint^TM and get busy!

Here is my table.  I’ve been using it for a painting surface, now it is time to paint it.

Because it has this laminate—super shiney, smooth surface—I decided to break the surface tension with some sand paper.

Here’s how it looked with a little scruffing.

A closer look at the sanding I did, plus the colors I’ve chosen (Annie Sloan Chalk Paint^TM in Country Grey on the left and Graphite on the right).

First, the Graphite.

Then the addition of the Country Grey.

I decided to try the Country Grey on the top, too, using a wet rag distressing method.  What do you think?

Then the addition of Clear, then Dark wax.

Yeah?  Me neither.  So we are back in black!  I just did a quick coat of graphite again, clear and dark wax again.

Much better.

Now it is ready to  be put into service at your next bridge game or bunko night.

Thanks for your indulgence!